Behringer X2222USB Manuel d'utilisateur télécharger pdf (Page 15)

15 XENYX X1622USB/X1832USB/X2222USB/X2442USB User Manual

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Digital eects moduleFig. 4.1:

The built-in stereo eects processor has the advantage that it does not need to

be wired up. This excludes the danger of humming or level mismatch right from

the start and thus considerably facilitates use.

These eect presets are classical “mixing eects”. If you move the STEREO

AUX RETURN FX control, you mix the channel signal (dry) and the eect signal.

You can control the balance between the two signals with the channel fader

and the STEREO AUX RETURN FX control.

FX OUT

Mixing consoles X2222USB and X2442USB have a separate output for the eects

device, which is unbalanced and stereo (tip = left signal; ring = right signal;

sleeve = ground/shielding). Thus, you can record, for example, a vocal track

enhanced with reverb in parallel to a “dry” vocal track; when doing the mix-down

later on, you can freely determine the amount of reverb added.

The X2442USB has the eﬀect output on the rear, X2222USB has it ◊

located next to the aux sends on the front panel.

FX FOOTSW.

Connect a standard foot switch to the foot switch jack and use this to switch

the eects processor on and o. A light at the bottom of the display indicates

wheater the eects processor has been muted by the foot switch.

In Chapter 6.2 you will ﬁnd an illustration showing how to connect ◊

your foot switch correctly.

LEVEL

The LED level meter on the eects module should display a suciently high

level. Take care to ensure that the clip LED only lights up at peak levels. If it is

lit constantly, you are overloading the eects processor and this could cause

unpleasant distortion.

PROGRAM

You can select the eect preset by turning the PROGRAM control. The display

ashes with the number of the current preset. To recall the selected preset,

press on the button; the ashing stops. You can also recall the selected preset

with the foot switch.

Rear Panel Connectors5.

Main mix outputs, insert points and 5.1

control room outputs

Main Mix outputs, main mix insert points and control room outputsFig. 5.1:

MAIN OUTPUTS

The MAIN outputs carry the MAIN MIX signal and are on balanced XLR jacks

with a nominal level of +4 dBu. In parallel with this, ¼" phone jacks carry the

main mix signal in a balanced format (X1622USB: here, the phone jack outputs

are unbalanced and located on the front panel).

CONTROL ROOM OUTPUTS (CTRL OUT)

The control room output is normally connected to the monitoring system in

the control room and carries the stereo mix or, when selected, the solo signals.

MAIN INS(ERTS) (X2442USB only)

These are the insert points for the main mix. In the signal path, they are

post-main mix amp, but pre-main fader(s). Use them to insert, for example,

a dynamics processor or graphic equalizer. Please also note the information

on insert points in chapter 5.3.

Su/jointfilesconvert/110168/bgroup outputs5.2

Su/jointfilesconvert/110168/bgroup outputsFig. 5.2:

SUB OUTPUTS

The su/jointfilesconvert/110168/bgroup outputs are unbalanced and provide the mix of those channels

assigned to each su/jointfilesconvert/110168/bgroup with the SUB switch (X2442USB: switches 1-2 or

3-4) next to the channel faders. Thus, you can, for example, route a subgroup

to a second console or use the output as a recording output in parallel to

the main outputs. In this way, you can record several tracks simultaneously.

With an 8-track recorder, use Y cables and wire the inputs of your machine

so that you have 2 x 4 tracks available (e.g. channel 1 to track 1 and 2, etc.).

In the rst pass, you can record the tracks 1, 3, 5 and 7, in the second the

tracks 2, 4, 6 and 8.

The XENYX 2442FX already has su/jointfilesconvert/110168/bgroup outputs wired in parallel (1-5, 2-6, etc.).

X1832USB

X2442USB

1 2 ... 10 11 12 13 14 15 16 17 18 19 20 ... 23 24

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Behringer X2222USB Manuel d'utilisateur Page 15

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